快进过了一遍在文革/十年浩劫之后十部必看的军婚小说还有什么好感慨No tear for other country's suffering.
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A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
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