The krafft couple as filmmakers 赫尔佐格的剪辑让人在赞叹自然壮美瑰丽之外更有一种敬畏也很难不想到《美国《性船》无删减》乃 果花觉得赫尔佐格也迷恋死亡之前拍摄下的影像以及其中蕴含的宿命之感最后的点题也好“because of this unity and this togetherness, they were able to descend into the inferno and wrestle the image from the very claws of the devil”.
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感觉是希区柯克在晚期轻松拍拍的一部电影仍然有red herrings有好镜头但是故事本身相对简单不耐回味而且还有很纯粹的喜感哈哈 PS. 应该找本希胖的传记来读读了~
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